this Journal is about Photography, Webwork, Coding, XHTML, CSS, and Everyday-life

Writing

True Lies, Tired Hedonists (2009)
By Ginny Kollak

Ginny Kollak reads Looking for Headless through Oscar Wilde’s The Decay of Lying. The article was published in Alphabet Prime, issue No1, Fall 2009.

Les artistes 100 têtes: Multitext, Xenomoney, Xenospace (2008)
By Angus Cameron

For the artist talk of the exhibition “Headless” at The Power Plant, Goldin+Senneby invite Economic Geographer Angus Cameron to speak in their place. This is his lecture given at The Power Plant on December 13th, 2008. With an introduction by Gregory Burke.

Nameless Acting (2008)
By Kim Einarsson

A conversation between curator Kim Einarsson and the spokesperson of artist collaboration Goldin+Senneby about the project Headless. Published in Geist, methodology issue, May 2008, Stockholm

Welcome to Who Makes and Owns Your Work! (2007)
Opening speech by Karl Rossmann

On November 17th, 2007, the year-long project Who Makes and Owns Your Work culminates in a public event at Årsta Folkets Hus in Stockholm. Fictional character Karl Rossmann holds an opening speech. This speech was also published in the info sheet of the Who Makes and Owns Your Work event.


A Time of Their Own: Curating the Corporate Event (2007)
By Alf Rehn

As co-editors of the second newsletter of the fictional museum museumuseu (founded by Brazilian artist Mabe Bethonico), Goldin+Senneby proposes a service to the museumuseu: A custom-made teambuilding event for the museum as an orgaization, based on Franz Kafka’s vision of the Great Nature Theatre (see Teambuilding in the Great Nature Theatre). Complementing this proposal G+S invited Swedish academic Alf Rehn to further contextualize the corporate event in relation to the control of time in post-industrial production.
Originally published in English and in Spanish in museumuseu newsletter #2, “There is time in the museum”, Medellín 2007.

Enclosure & Enthusiasm (2006)
By Goldin+Senneby

In December 2005 Goldin+Senneby initiated the collaborative magazine production Flack Attack on Autonomy on the virtual island The Port. “Enclosure & Enthusiasm” was written as a reflection on this production in relation to a wider context of digital networks and entrepreneurial strategies. This article was first published in Swedish in UKS Forum for Samtidskunst Nr 3/4 2006, Oslo.