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Archive for the 'Practice' Category

Standard Length (Tensta)

Monday, October 2nd, 2017

Standard Length of a Miracle, Tensta konsthall, Stockholm, 2016. Photo: Hanna Ukura. . Standard Length of a Miracle with Jonas Hassen Khemiri (author), Arborist, Carpenter, Costume Designer ”Standard Length of a Miracle” is the title of a meta-fictional short story written by Swedish author Jonas Hassen Khemiri as a response to Goldin+Senneby’s practice over the […]

Not Approved

Sunday, September 18th, 2016

with the County Administrative Board of Skåne, Stockholm, and Värmland. A series of 32 landscape photographs taken by Swedish bureaucrats. The work departs from a reform implemented by the EU in 2003. The reform decoupled agricultural subsidies from production, which changed the role of the farmer from someone who produces food to someone who provides […]

Zero Magic

Friday, August 19th, 2016

On a Long Enough Timeline the Survival Rate for Everyone Drops to Zero. Photo: Hanna Ukura. . Zero Magic with Malin Nilsson (magician), Théo Bourgeron (sociologist of finance), Ybodon (computer scientist), Kevin Keener (patent attorney), Johan Hjerpe (designer) A magician creates illusions, making us see things that don’t exist, that are not really happening. The […]

A3 The Plot

Friday, August 19th, 2016

with Pamela Carter (playwright), Johan Hjerpe (designer), Moa Ott (carpenter), Natali Hallberg (scenic painter) A3 The Plot is an act of theatrical property development. Goldin+Senneby have acquired a plot of land in Kent, England, and commissioned playwright Pamela Carter to write an “ownership drama”. Carter’s script dramatizes the material impact of shifting ownership on this […]


Saturday, June 25th, 2016

with Rob Drummond (playwright), Philip Grant (anthropologist & former equity fund manager), Donald MacKenzie (sociologist), Ybodon (computer scientist), Anna Heymowska (set designer), Johan Hjerpe (graphic designer), Mark Jeary (actor) A single actor continuously rehearses the scene Momentum by Rob Drummond. It is a physical experience inviting the audience to take part in a workout session […]


Sunday, May 5th, 2013

with Paul Leong (investment banker), Jo Randerson (playwright), Anna Heymowska (set designer), Johan Hjerpe (graphic designer), Ybodon (computer scientist), Actor “M&A is the first in a series of productions explicitly utilizing the exhibition infrastructure as “laboratory” for developing algorithmic trading models. New York-based investment banker Paul Leong of Blackstone has developed a trading strategy especially […]

Money Will Be Like Dross

Sunday, May 5th, 2013

“Off now, little paper, around the world, and destroy the tyranny of money, so that gold, silver and precious stones may one day cease to be the idols and tyrants of the world!” August Nordenskiöld, 1787. “Money will be like dross: A replica instruction for the August Nordenskiöld alchemy furnace” with Kunstgiesserei (Material Research), Johan […]

I dispense, divide…

Sunday, May 5th, 2013

I dispense, divide, assign, keep, hold with Pamela Carter (Playwright), Ismail Ertürk (Cultural Economist), Anna Heymowska (Set Designer), Hamadi Khemiri (Actor) ‘I dispense, divide, assign, keep, hold’ constitutes another stage in The Nordenskiöld Model, an experiment in theatrical finance articulated as a series of free-standing public rehearsals. The NAK hosts a scene developed by the […]

Standard Length…

Monday, October 3rd, 2011

Standard Length of a Miracle with Pamela Carter (Playwright), CargoCultist (Systems Architect), Anna Heymowska (Set Designer), Johan Hjerpe (Graphic Designer), Malin Nilsson (Magician) “The standard length of a miracle is around 15 seconds” says the Swedish magician Malin Nilsson. She hosts the opening night evening of the new project by Stockholm-based artist duo Goldin+Senneby “Standard […]

The Discreet Charm

Tuesday, September 27th, 2011

with Pamela Carter (Playwright), Ismail Ertürk (Cultural Economist), Anna Heymowska (Set Designer), Hamadi Khemiri (Actor) “The title of this work alludes to Buñuel’s surrealist film from 1972 (The Discreet Charm of the Bourgeoisie), which parodies the spectacle and self-appointed entitlement of the bourgeoisie. The piece, however, concerns the discreet charm of the banking system, or […]